#Madness project nexus 2 grappling free#
It will provide grounding in traditional prosody (i.e., in reading accentual, syllabic, and accentual-syllabic verse), as well as tactics for reading and understanding the breath-based or image-based prosody of free verse. This course is for students who wish to develop their skills in reading and writing about poetry. The course offers opportunities to develop abilities that contribute to success in the English major: close reading, active discussion, critical writing.īack to top ENGL B202 Understanding Poetry We will explore how staged family dynamics are shaped by performances of gender, class and race. This course will focus on dramatizations of the family in 20th- and 21st-century American plays. Modern and contemporary American drama often takes as its focus the family in its various iterations: nuclear families lost families imagined families explosive marriages rebel children siblings in conflict. Freshmen and sophomores may take only one 100-level course. It is not required for the major, but counts toward it. This 100-level seminar for freshmen and sophomores offers a taste of the reading and writing practices of the English major. We will also discuss the ongoing publication of Harlequin romances, the popularity of romantic comedy in film (from the 1930s to now) as well as the reimagining of romance tropes and male intimacy in films like "Brokeback Mountain" and buddy comedies.īack to top ENGL B107 Staging American Families Texts will include Chaucer's _Troilus and Criseyde_, Marlowe's _Hero and Leander_, Richard Hurd's eighteenth-century _Letters on Chivalry and Romance_, and nineteenth-century bodice rippers. In doing so, we will pay particular attention to the gender politics romance produces, supports, and challenges, exploring how various historical moments and media conceptualize love, desire, sex, and marriage. This course examines the ongoing popularity of romance, examining the genre from the Middle Ages to contemporary romantic comedies. The late Nigerian novelist and memoirist Chinua Achebe said of the English language, in particular: "Do not be fooled by the fact that we may write in English because we intend to do unheard of things with it."īack to top ENGL B106 Romance to Bromance
A significant number of major international literary prizes have been awarded to members of these writing communities who cross borders, continents, passport identities, and traditions in their experiments with narration, place, politics, and the creolization of English. The majority of the most provocative and interesting English-language literary production at the current moment hails from African nations, India, Oceania and their diasporae throughout the world. Theory in Practice:Critical Discourses in the Humanitiesįall 2022 (Class schedules for this semester will be posted at a later date.)Ģ021-22 Catalog Data ENGL B104 The Global Short Story Topics in Film Studies: Transitional Objects: Between Old and New Media History of Narrative Cinema, 1945 to the present Masks, Madness, and Mysteries: Introduction to Greek Tragedy Toni Morrison and the Art of Narrative Conjure Modern, Postmodern, and Contemporary PoetryĬultural Memory and State-Sanctioned Violence in Latinx LiteratureĮating Empire: Food, Diaspora and Victorian BritainĪnimal, Vegetable, Mineral: Medieval Ecologies Native Lands, American Literatures, 1607-1899
It also displays descriptions of courses offered by the department during the last four academic years.įor information about courses offered by other Bryn Mawr departments and programs or about courses offered by Haverford and Swarthmore Colleges, please consult the Course Guides page.įor information about the Academic Calendar, including the dates of first and second quarter courses, please visit the College's calendars page. This page displays the schedule of Bryn Mawr courses in this department for this academic year.
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